Record Pools – Are You Swimming Yet?

The cold winter months have hit us and unless you live in So. California, most people aren’t swimming in open-air pools any longer.

Right until recent times, Indie Artists and the labels they set up on their own had a hard time getting their music heard by anyone outside their own backyard pool of fans. With banda marketing finally becoming common practice and online audio stores becoming a mainstay for the music aficionado, capture pools are now open for business to the general indie society.

What is a record pool? Basically, a record pool is a membership right of DJ’s that act as an intermediary between DJ’s and the music makers. The power behind a record pool is it can reach a mass, global market in lightening speed.

As of 2005, there are over 7000 DJ’s plus industry professionals who are part of this digital revolution. To enable a DJ to belong to a record pool, they must give a monthly association fee to obtain the latest and most current tunes.

Frequently this music is available to them before it becomes designed to mainstream radio, and because of that, record pools quite often the volume of an initial impact than the popular mainstream outlets.

The electricity radio programmers have over radio, clubs and streets music is now handed over to the DJ’s who participate in the exact record pools, allowing them to have control over what they “break. ” get the service of submit music to record pools

So how can you get an invitation to swim with their pool? No invitations necessary, but you must have a good qualified product that is available in digital format (although I did still find it that accepted vinyl).

Some of the now necessitate that you have your own label, meaning that you don’t submit as the band name. That is easily done by setting up your own marking (too much information to go into here, but you can have the information inside my book The Indie Guide to Popular music, Marketing and Money).

Once you have the business side taken care of, start exploring the internet using the keywords, “record pool, ” and then communicate with them to be certain that your style of music is part of their whole repertoire.

Don’t randomly send out your online or hard copy touch kit to every record pool you find, just as you would not send your music to every station you discover. E. f., a country record pool isn’t interested in acid rock and a conventional record pool won’t be interested in spinning a blue type grass tune. Then begin to submit your CDs using the info you acquired. Do you homework and beware of companies of which don’t post charts or may be music collectors.